English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
31
Librairie
Musicale
16
Matériel
de Musique
15
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
284
PIANO & CLAVIERS
Piano, Voix et Guitare
246
Piano seul
128
Piano Facile
93
Piano, Voix
58
Orgue
13
Instruments en Do
8
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
3
Clavier
3
Accompagnement Piano
3
Piano grosses notes
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
76
Ligne De Mélodie, (Paroles) et Accords
22
Paroles et Accords
9
Guitare
6
Ukulele
5
2 Guitares (duo)
2
Guitare (partie séparée)
2
Piano, Guitare (duo)
1
Basse electrique
1
Dulcimer
1
Mandoline
1
Guitare Pedal Steel
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
118
Chorale 2 parties
44
Chorale 3 parties
34
Chorale TTBB
22
Voix duo, Piano
15
Chorale Unison
12
Voix duo
7
Chorale SSAA
3
Voix Soprano, Piano
3
Chorale
1
Voix seule
1
Voix Tenor
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Quatuor de Saxophones: 4 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
15
Flûte, Hautbois, Clarinette, Basson
13
Clarinette et Piano
12
Flûte traversière et Piano
12
Quintette de Saxophone: 5 saxophones
11
3 Saxophones (trio)
11
Saxophone Alto et Piano
11
Quatuor de Flûtes : 4 flûtes
10
2 Saxophones (duo)
8
Saxophone Tenor et Piano
8
3 Clarinettes (trio)
6
Clarinette Basse, Piano
6
Ensemble de Flûtes
6
Saxophone (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Hautbois, Basson
5
Flûte, Clarinette et Basson
5
Hautbois, Piano (duo)
5
Saxophone Soprano et Piano
5
2 Flûtes traversières (duo)
5
Saxophone Baryton, Piano
4
2 Clarinettes (duo)
4
Clarinette (partie séparée)
4
2 Flûte à bec (duo)
4
Ensemble de Clarinettes
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Clarinette (duo)
4
Ensemble de saxophones
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Basson
3
Clarinette
3
Quintette de Flûte : 5 flûtes
3
Flûte traversière
3
Hautbois, Harpe
2
Cor anglais, Piano
2
Harmonica
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Alto
2
Ensemble De Flûte à bec
2
Quatuor de Flûtes à bec
2
Clarinette, Basson (duo)
2
Saxophone et Harpe
1
Clarinette, Violon (duo)
1
Piccolo, Piano
1
Ensemble de Hautbois
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto
1
Flûte à bec Tenor
1
Saxophone
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Clarinettes, Piano
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette, Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone et Piano
12
Trompette
6
Trompette (partie séparée)
6
Quatuor de Cuivres
5
Trombone (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
5
Euphonium, Piano (duo)
5
Trompette, Trombone (duo)
4
2 Trompettes (duo)
4
Trombone
4
Ensemble de Trombones
3
2 Trombones (duo)
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 cors
2
Cor anglais, Piano
2
Cor et Harpe
2
Tuba et Orgue
2
Trompette, Harpe
2
Ensemble de Trompettes
2
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
3 Cors (trio)
1
3 Trombones (trio)
1
2 Cors (duo)
1
2 Tubas (duo)
1
3 Tubas (trio)
1
Ensemble de Cors
1
3 Trompettes (trio)
1
Tuba et Piano
1
2 Euphoniums et 2 Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
21
Alto, Piano
11
Violoncelle, Piano
10
Harpe
9
2 Harpes (duo)
9
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
6
Violon (partie séparée)
5
2 Altos (duo)
5
Violon
4
Trio à cordes: 3 violins
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, alto
3
Contrebasse, Piano (duo)
3
Violoncelle (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
2 Violoncelles (duo)
2
Violoncelle
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
Violon, Alto (duo)
2
Contrebasse (partie séparée)
2
Harpe, Violon (duo)
2
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Ensemble d'Altos
1
Alto seul
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violons
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
110
Orchestre
31
Orchestre à Cordes
28
Orchestre de chambre
11
Cloches
10
Ensemble de cuivres
10
Percussion (partie séparée)
4
Jazz combo
3
Marimba
1
Batterie (partie séparée)
1
Xylophone, Piano
1
Ensemble Jazz
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Third Day
Orchestre
Partitions à imprimer
31 partitions trouvées
<
1
26
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples ⦠six dreams by Richard Kenney; String Quartet No 5 ⦠Four Birthdays; and Chôrinhos ⦠opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then weâd go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 ⦠Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto ⦠Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 ⦠Roman Holidays, my give back to the city of Rome â a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Berniniâs Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Berniniâs Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.32 €
#
Orchestre
#
Thomas Oboe Lee
#
Symphony No. 7 ... Roman Holidays
#
Thomas Oboe Lee
#
SheetMusicPlus
At the Ninth Hour
Orchestre
Composed by Allen Pote. Musicals for Adults. Lent & Easter Musicals. Lent, Easter …
(+)
Composed by Allen Pote. Musicals for Adults. Lent & Easter Musicals. Lent, Easter Sunday, Jesus Christ - Resurrection, Sacrifice. Score. 72 pages. Duration 72 minutes. Hope Publishing - Digital #8411DP. Published by Hope Publishing - Digital
Lent & Easter Musical<br> <br> Based on the Gospel of Mark, Allen Pote and Tom Long have created a 35-minute retelling of last week of Christ's life, with passionate music, riveting lyrics and narration. Performed in its entirety, the musical makes the full journey from Palm Sunday to Easter morning and climaxes with Allen Pote's blockbuster anthem "On the Third Day. " The work may be adapted to work as a Lenten cantata by omitting either or both of the first and last pieces. An other variation would be to sing the "Hosanna" on Palm Sunday, then on Good Friday the bulk of the work, saving "On the Third Day" your Easter morning service. Accompaniment may be provided by just piano, CD track, or a small instrumental ensemble composed by Mark Kellner. Allen Pote's memorable melodies interact beautifully with Tom Long's lyrics to provide a profoundly moving musical work, which perfectly commemorates the sacrificial death of Christ "At the Ninth Hour. " The Orchestration by Mark Kellner contains a Conductor's Score and parts for: 18 Handbells (A4-G7), Piano, Flute, Oboe, Horn in F, Percussion, Violins 1 & 2, Cello, Bass Guitar, and Synth String Reduction. The separate handbell part, depending on the selection, is for up to 18 bells (A4-G7).
$12.95
12.09 €
#
Orchestre
#
Allen Pote
#
Easter Musicals
#
At the Ninth Hour
#
Hope Publishing - Digital
#
SheetMusicPlus
Symphony No. 1 in C-Sharp Minor, Op. 1 "In the Eternal Day": III. Moderato "In the Eternal Day"
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1025479 Composed by Arashk Aziz…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1025479 Composed by Arashk Azizi. Romantic Period. Score and parts. 38 pages. Arashk Azizi #4797861. Published by Arashk Azizi (A0.1025479). In the eternal day is a program symphony, composed in five movements based on the book the conference of the birds by Attar of Nishapur (13th-century Persian poet).this is the third movement of this epic symphony.
$5.99
5.59 €
#
Orchestre
#
Arashk Azizi
#
Symphony No. 1 in C-Sharp Minor, Op. 1 "In the Eternal Day": III. Moderato "In the Eternal Day"
#
Arashk Azizi
#
SheetMusicPlus
A Hard Day's Night
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1193255 By The Beatles. By John…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1193255 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daryl McKenzie. Film/TV,Rock. Score and parts. 84 pages. Daryl McKenzie #792711. Published by Daryl McKenzie (A0.1193255). Arranged in the style of the Beatles for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, BCl,2Bsn, 5Sax, 4Hn, 3Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of E (a third lower than the Beatles)Same arrangement in the Key of G plus Big band arrangements: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
93.33 €
#
Orchestre
#
The Beatles
#
Daryl McKenzie
#
A Hard Day's Night
#
Daryl McKenzie
#
SheetMusicPlus
A Hard Day's Night - Beatles for Orchestra
Orchestre
Full Orchestra, String Orchestra - Intermediate - Digital Download By The Beatles. Ar…
(+)
Full Orchestra, String Orchestra - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 41 pages. Published by Arte Nova Music Lab
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.<br> <br> The album includes the song "A Hard Day's Night", with its distinctive opening chord, and "Can't Buy Me Love", both transatlantic number-one singles for the band. Several of the songs feature George Harrison playing a Rickenbacker 12-string electric guitar, a sound that was influential on the Byrds and other groups in the folk rock movement.
$60.00
56 €
#
Orchestre
#
The Beatles
#
Javier Martínez Maya
#
A Hard Day's Night - Beatles for Orchestra
#
Arte Nova Music Lab
#
SheetMusicPlus
Lockdown Themes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1140067 Composed by Don Bowyer.…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1140067 Composed by Don Bowyer. 20th Century,Classical,Contemporary,Contest,Festival. Score and parts. 73 pages. Dolphin Don's Music School #740323. Published by Dolphin Don's Music School (A0.1140067). During Malaysia's third Covid-19 Lockdown, in January 2021, I composed a short piece for solo trombone each day for 14 days, performing them each evening in an online stream from my apartment balcony. This work fleshes out the themes from Lockdown Miniatures #1 and #4. The first two themes, from Lockdown Miniatures #1 (subtitled Here We Go Again), reflect the angst and uncertainty of beginning yet another lockdown â with all businesses once again closed, police roadblocks preventing movement beyond the neighborhood, and all human contact reduced to a small screen. The third theme, from Lockdown Miniatures #4 (subtitled Loss), is meant to express the raw emotion associated with losing loved ones over the previous ten months. This piece was recorded by the London Symphony Orchestra, conducted by Miran Vaupotic, on 26 February 2022 as part of a project by Parma Recordings. The album, titled Sparks: Eye of London, was released in October 2022 on Navona Records.
$65.00
60.67 €
#
Orchestre
#
Don Bowyer
#
Lockdown Themes
#
Dolphin Don's Music School
#
SheetMusicPlus
Autumn tableau
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.92 €
#
Orchestre
#
Dario Duarte
#
Autumn tableau
#
Dario Duarte
#
SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreauâs text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Loggerâs Boast. The original song had twenty stanzas to it. I whittled it down to five. I donât know what the original song sounded like, so I made up my own version of a lumberjackâs drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away â¦The last movement begins with a funeral march for Joe Attien, a native American who was Thoreauâs guide when he came up here in the 1900âs. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn â¦NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.32 €
#
Orchestre
#
Thomas Oboe Lee
#
Symphony No. 6 ... The Penobscot River
#
Thomas Oboe Lee
#
SheetMusicPlus
I Was Only Nineteen
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1025679 By Various Artists. By …
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1025679 By Various Artists. By John Lewis Shumann. Arranged by Brett A Foster (BF Music). Contemporary. Score and parts. 123 pages. Brett A Foster #6474837. Published by Brett A Foster (A0.1025679). I Was Only Nineteen, I Was Only 19 or A Walk in the Light Green is the most widely recognised song by Australian folk group Redgum. The song was released in March 1983 as a single, which hit number one for two weeks. This version has been created for Full Orchestra (with optional TTB choral parts). The piece should be easily playable by Intermediate level Full Orchestra. There are optional parts for English Horn, Clarinet 3, Alto Saxophone, Tenor Saxophone & Contra Bassoon. The piano part is important for the core rhythms section, as is the guitar. The Violin 1 parts does go into third position towards the end, but all other string parts stay in first position. The song itself is a first-person account of a typical Australian soldier's experience in the Vietnam War, from training at a military academy in Australia to first hand exposure to military operations and combat, and ultimately his return home disillusioned and suffering from both PTSD and, it is implied, the harmful effects of Agent Orange. This piece would work well at any ANZAC Day or Memorial Day event for the Armed services.
$60.00
56 €
#
Orchestre
#
Various Artists
#
Brett A Foster (BF Music)
#
Contra Bassoon
#
I Was Only Nineteen
#
Brett A Foster
#
SheetMusicPlus
Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730404 Composed by James Nathan…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.730404 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 160 pages. James Nathaniel Holland #3218589. Published by James Nathaniel Holland (A0.730404). A suite in four movements for orchestra taken from the contemporary opera On the Wings of the Scarlet Messenger by American Costa Rican composer James Nathaniel Holland. The first, Dance of the Spirits is a percussionists dream evoking Southeast Asian flavor and energy. The second movement The Party: Intermezzo is a popular dance type of driving beat. The suite slows with the third movement with the haunting The Party: Art Imitates Life and a recap of the Spanish chorus here arranged for orchestra Bailen, Canten, Que Noche Bonita Perfect for New Year's Eve or New Year's Day concert. Use with the arrangement Bailen, Canten Que Noche Bonita with chorus or any of the stand alone arias from the opera. YouTube video presentation: https://youtu.be/QHzyUfKLI9MDuration 14:02 minutes.Instrumentation: picc, 12fl, 12ob, eh, 12cl, bcl, ts, 12bsn, 1234 hrn, 12 trp, trmb, btrmb, tim, perc( snare, hand cym, bd, ride cym with mallets, large gong, sm. gong, claves, castanets, tam., mid tom, tri., high hat) hrp, and stringsFull score in concert pitch with individual parts included. Full opera orchestral score and piano vocal score sold separately.Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html .
$21.95
20.49 €
#
Orchestre
#
James Nathaniel Holland
#
Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
#
James Nathaniel Holland
#
SheetMusicPlus
Festival
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with âsunriseâ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendorsâ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think itâs all over, thereâs a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
51.33 €
#
Orchestre
#
Mike Lyons
#
Festival
#
Lyons Music Services
#
SheetMusicPlus
Symphony No.1
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.511812 Composed by Han-Ki Kim. …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-Ki Kim #6440929. Published by Han-Ki Kim (A0.511812). Symphony No.1 âKangKangSullaeâ Symphony No. 1 has the name âKangKangSullaeâ, and the composer is like any other korean composer. âWhat does it mean to be Korean?â With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of âKangKangSullaeâ has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of âKangKangSullaeâ was cited in the 4th movement, and it was named as a representative name for the Symphony as an element that forms the basic character of this movement.For reference, the origin of âKangKangSullaeâ is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest.The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form.The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion.The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time.The fourth movement quoted the theme of âGanggangsullaeâ in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc.Attached Music file is only 1st. movement, it's just for a reference.
$45.00
42 €
#
Orchestre
#
Han-Ki Kim
#
#
Symphony No.1
#
Han-Ki Kim
#
SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussyâs death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussyâs keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravelâs Jeux dâeau, published in 1902. The opening movement, âPagodesâ, is Debussyâs first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussyâs use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as âPagodesâ was his first Oriental piece, so âLa soirée dans Grenadeâ was the first of Debussyâs evocations of Spain-that preternatural embodiment of an âimaginary Andalusiaâ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussyâs personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravelâs Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), âif this isnât the music they play in Granada, so much the worse for Granada!â-and there is no debate about the absolute authenticity of Debussyâs use of Spanish idioms here. Falla himself pronounced it âcharacteristically Spanish in every detailâ. âLa soirée dans Grenadeâ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. âJardins sous la pluieâ is based on the childrenâs song âNous nârons plus au boisâ (We shanât go to the woods): its original 1894 form was in fact entitled Quelques aspects de âNous nârons plus au boisâ. The two versions are really two distinct treatments of the same set of ideas, but in âJardins sous la pluieâ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second childrenâs song for treatment, âDo, do, lâenfant doâ) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.33 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussyâs death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussyâs keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravelâs Jeux dâeau, published in 1902. The opening movement, âPagodesâ, is Debussyâs first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussyâs use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as âPagodesâ was his first Oriental piece, so âLa soirée dans Grenadeâ was the first of Debussyâs evocations of Spain-that preternatural embodiment of an âimaginary Andalusiaâ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussyâs personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravelâs Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), âif this isnât the music they play in Granada, so much the worse for Granada!â-and there is no debate about the absolute authenticity of Debussyâs use of Spanish idioms here. Falla himself pronounced it âcharacteristically Spanish in every detailâ. âLa soirée dans Grenadeâ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. âJardins sous la pluieâ is based on the childrenâs song âNous nârons plus au boisâ (We shanât go to the woods): its original 1894 form was in fact entitled Quelques aspects de âNous nârons plus au boisâ. The two versions are really two distinct treatments of the same set of ideas, but in âJardins sous la pluieâ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second childrenâs song for treatment, âDo, do, lâenfant doâ) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.33 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussyâs death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussyâs keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravelâs Jeux dâeau, published in 1902. The opening movement, âPagodesâ, is Debussyâs first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussyâs use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as âPagodesâ was his first Oriental piece, so âLa soirée dans Grenadeâ was the first of Debussyâs evocations of Spain-that preternatural embodiment of an âimaginary Andalusiaâ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussyâs personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravelâs Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), âif this isnât the music they play in Granada, so much the worse for Granada!â-and there is no debate about the absolute authenticity of Debussyâs use of Spanish idioms here. Falla himself pronounced it âcharacteristically Spanish in every detailâ. âLa soirée dans Grenadeâ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. âJardins sous la pluieâ is based on the childrenâs song âNous nârons plus au boisâ (We shanât go to the woods): its original 1894 form was in fact entitled Quelques aspects de âNous nârons plus au boisâ. The two versions are really two distinct treatments of the same set of ideas, but in âJardins sous la pluieâ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second childrenâs song for treatment, âDo, do, lâenfant doâ) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.33 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Divertimento for Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.997183 Composed by Vincent M. Bonafede. C…
(+)
Full Orchestra - Digital Download SKU: A0.997183 Composed by Vincent M. Bonafede. Contemporary. Score and parts. 141 pages. Vincent M. Bonafede #5220243. Published by Vincent M. Bonafede (A0.997183). Divertimento is a work for full orchestra not to be taken too seriously! It is a diversion! It contains 5 very diverse movements. First a prelude; second a generic ragtime tune; third a quiet reverie featuring a flute trio; fourth a march to the saloon on Saturday night and five a finale based on a hymn tune from the Sacred Harp. Each movement is short. Whole work is about 9' 30. All string parts are suitable for the average community orchestra. I have conducted the work with two different community orchestras and feedback was positive from both musicians and audience members.
$15.00
14 €
#
Orchestre
#
Vincent M
#
a prelude
#
Divertimento for Orchestra
#
Vincent M. Bonafede
#
SheetMusicPlus
The Phoenix
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1024262 Composed by Nathan Reic…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1024262 Composed by Nathan Reichwein. 20th Century,Contemporary,Sacred. Score and parts. 130 pages. Nathan Reichwein #2918053. Published by Nathan Reichwein (A0.1024262). The Phoenix. FULL SCORE AND INDIVIDUAL PARTS. This short modern symphony tells the story of the mighty phoenix, which resemble the crucifixion of Jesus Christ. The first movement, The Waning Years, brings us through the mystery and uncertainty before Christ was arrested by the Romans. The second movement, Death, stabs our hearts with long drawn out minor and dissonant chords that communicate the pain He felt, before it was instantly over and for the next three days, more uncertainty. The third movement, Resurrection, is a mighty fanfare to declare to the world that Christ has risen. For he who believes in him shall not perish, but will enjoy everlasting life. The final movement: The Years to Come, takes us to that life with no pain nor sin.
$44.99
41.99 €
#
Orchestre
#
Nathan Reichwein
#
The Phoenix
#
Nathan Reichwein
#
SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) â Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. Iâve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves donât arrive in steady rhythms, these musical waves are variable â sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully â a child is born, and (3) contemplative â God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Donât let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiahâs incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn â one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the shipâs momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
70 €
#
Orchestre
#
12th Century Plainchant
#
Robert Myers
#
Oboe 1,2
#
Divinum Mysterium
#
WheatMyer Music
#
SheetMusicPlus
Pasko Na Naman
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.759150 Composed by Traditional.…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.759150 Composed by Traditional. Arranged by Tim Olt. Christmas,Latin,World. Score and parts. 58 pages. Olt Music #5031227. Published by Olt Music (A0.759150). Nick Palmer and the Lafayette Symphony Orchestra wanted to feature several non-Western holiday works. This is the third of three. Pasko Na Naman is a Phillipino holiday folk song. This version is reminiscent of a street band with swirling melodies and a feel somewhere between Strauss and Sousa. 2222.4331 timp 3 perc strings
$75.00
70 €
#
Orchestre
#
Traditional
#
Tim Olt
#
Pasko Na Naman
#
Olt Music
#
SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of todayâs musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i â VI â III â VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasnât in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesnât erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the musicâs core. Itâs as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldnât resist some on-the-nose tongue-in-cheek. The little cameo of Haydnâs lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
37.33 €
#
Orchestre
#
Austin Wintory
#
EP!C!!!
#
Austin Wintory
#
SheetMusicPlus
Arizona Centennial Overture - Orchestra Version
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizonaâs centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizonaâs history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
37.32 €
#
Orchestre
#
Sy Brandon
#
Arizona Centennial Overture - Orchestra Version
#
Sy Brandon
#
SheetMusicPlus
Concert Piece for 4 instruments and orchestra (Robert Schumann)
Orchestre
Full Orchestra - Digital Download SKU: A0.942412 Composed by Robert Schumann (1810-…
(+)
Full Orchestra - Digital Download SKU: A0.942412 Composed by Robert Schumann (1810-1856). Arranged by Brock Lupton. Contemporary. Score and parts. 189 pages. Brock Lupton #4616367. Published by Brock Lupton (A0.942412). This is one of the lesser-known works of composer Robert Schumann. It was composed in 1849 and introduced in Leipzig on February 25, 1850. There are several possible reasons for the comparative unfamiliarity of this work which, despite its modest title, is a full-fledged 3-movement concerto for four very accomplished French horn players with orchestra. In its original configuration, the work exploits the newly-invented valved French horn. (The horn and trumpet were natural instruments â like todayâs bugles, with no valves â until about 1835.) The concerto establishes a festive character at the outset, and becomes almost feverish as the excitement expands. The slow movement (Romanze) typifies another side of the composer, expansive and tender. It leads directly into the third (final) movement which brings together the various elements in an outburst of sheer joy.The title to which this note is attached is my re-orchestration of the accompaniment (score and all orchestral parts). Three different ensemble versions are also available from SMP. Any of these is compatible with the orchestral score and parts.
$15.00
14 €
#
Orchestre
#
Robert Schumann
#
Brock Lupton
#
Concert Piece for 4 instruments and orchestra
#
Brock Lupton
#
SheetMusicPlus
Joy To The World
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1105096 By Cliff Richard. By Ge…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1105096 By Cliff Richard. By George Frideric Handel. Arranged by Chris Walden. Christmas,Holiday,Pop. Score and parts. 52 pages. Chris Walden #708342. Published by Chris Walden (A0.1105096). For vocal, orchestra, choir (SATB), and rhythm section in the key of C. First verse rubato, second and third verse 120 BPM. Duration: 3'11. Instrumentation: 2 flutes, 1 oboe, 2 clarinets, 1 bass clarinet, 3 horns, 3 trombones, percussion, harp, celesta, choir, guitar, piano, bass, drums, strings. Original arrangement as recorded by Cliff Richard.
$129.00
120.4 €
#
Orchestre
#
Cliff Richard
#
Chris Walden
#
Joy To The World
#
Chris Walden
#
SheetMusicPlus
John Paul Jones - Symphonic Overture (instrumental parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.971716 Composed by WAGSTAFF, Ju…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.971716 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 201 pages. Julian Wagstaff #3421021. Published by Julian Wagstaff (A0.971716). The Symphonic Overture (for orchestra) has its roots in Julian Wagstaff's stage musical John Paul Jones, which premiered in Edinburgh, Scotland in 2001 and was revived professionally with the Scottish Chamber Orchestra in 2010. Essentially a tragedy of ambition, the musical tells the story of the son of a Scottish gardener who became a hero of the American Revolution as the father of the American navy.The work is in three clearly discernible sections: The first interlaces the Scots jig in 6/8 (which opens the musical) with the anthemic 'Freedom Arise' theme in 4/4 (which closes it), by means of metric modulation. The second, slower section is essentially a canon and variation on the 'Home Again' ballad from Act I of the show, while the third and final section is a radical development of the 'Battle of Flamborough Head' sequence from Act I of the musical. For more information visit www.julianwagstaff.com or www.johnpauljonesmusical.com.
$69.99
65.33 €
#
Orchestre
#
WAGSTAFF, Julian
#
John Paul Jones - Symphonic Overture
#
Julian Wagstaff
#
SheetMusicPlus
The First Noel (Variations for Full Orchestra) Full Set
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.754301 Composed by Traditional.…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.754301 Composed by Traditional. Arranged by Nick Raspa. Christian,Christmas,Holiday,Religious,Sacred. Score and Parts. 106 pages. NJR Music #3216569. Published by NJR Music (A0.754301). Theme and variation setting.  The work starts with a traditional setting followed by 3 variations:  the first variation is in the Major, the second in minor and the third is a gigue.  Forces:  213[1.2.bc]2:22[1.pt]11:timp:str  Contains the full score and a complete set of parts and is approximately 2 1/2 minutes long.  Additionally, there is a setting of this arrangement for string orchestra that is available separately: at Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/850429/Product.aspx at Sheet Music Plus: https://www.sheetmusicplus.com/title/the-first-noel-variations-for-string-orchestra-full-set-digital-sheet-music/20061619?ac=1 ASCAP.
$55.00
51.33 €
#
Orchestre
#
Traditional
#
Nick Raspa
#
The First Noel
#
NJR Music
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
